Gibson J-45 Standard Electro Acoustic Guitar Vintage - SunburstStock code: 66581
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- Gibson's most popular acoustic guitar
- Tapered dovetail neck joint
- Radius top
- Nitrocellulose finish
- Body binding
- Includes hardshell case
The J45 has been Gibson’s top-selling acoustic guitar for years. Nicknamed “The Workhorse” and first introduced in 1942, Gibson’s most popular acoustic is now the icon of its round-shoulder, dreadnought line, world renowned for its full, balanced expression, warm bass, and excellent projection. Subtle changes to the bracing of its predecessor—the J-35—made Gibson’s J-45 one of most technically advanced guitars of its time.
Nickel Grover Rotomatic Tuners
Grover’s original Rotomatic tuners are an engineering marvel, with abundant style and performance exactly suited for the Gibson J45 Standard. With a gear ratio of 14:1, the Rotomatics deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage. A countersunk tension screw lets players regulate the tuning tension to any degree. A special lubricant inside the gear box provides smooth and accurate tuning stability.
Body Tonewoods (back, sides and top)
The top of the Gibson J-45 is made from AA-grade Sitka spruce, while the back and sides are constructed from pattern grade Honduras mahogany, giving the J-45 its world renowned full, balanced expression, warm bass, and excellent projection. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson’s guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with “the most durable, elastic, and sonorous qualities,” and today’s guitars from Gibson Acoustic are no different.
The pickguard for the J-45 Standard is Gibson’s standard plain tortoise tear drop shape, which has been used on the J-45 since its introduction in 1942. As with all of Gibson’s pickguards, the coloring and binding are all done by hand.
A rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the Gibson J-45 is a simple single-ring rosette consisting of three-ply binding, adding a stylish, understated elegance to the J-45 Standard.
Rosewood Fingerboard with Rolled Edges and Dot Inlays
The fingerboard of Gibson’s J-45 is constructed from the highest grade rosewood on earth, which is personally inspected and qualified by Gibson’s team of skilled experts before it enters the Gibson factories. The resilience of this durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The Gibson J45’s dot inlays are made of genuine mother of pearl, measuring approximately ¼-inch in diameter, and are inserted into the fingerboard using a process that eliminates gaps. The fingerboard also sports a rolled edge—instead of the usual right angle where the fingerboard surface meets the neck, Gibson Acoustic’s rolled edges are slightly beveled for an extremely smooth and comfortable feel, enhancing the playability of the J-45.
L.R. Baggs Element Active Acoustic Pickup System
Gibson Acoustic’s J-45 comes equipped with the popular Element Active Acoustic Pickup System from L.R. Baggs, which features a low-profile undersaddle element—or transducer—that’s proven more stable and durable than many standard ribbon-type pickups. Combined with an onboard preamp with an unobtrusive volume control mounted just inside the soundhole, the Element delivers performance not previously attainable from an undersaddle pickup. Its sleek and effective design removes unnecessary internal components to enhance the coupling between the pickup and the guitar, and improve the sensitivity of the transducer for a robust, lively, and natural acoustic sound with excellent dynamics and delicate high end. The Element works with a standard 9V battery, which is housed inside the guitar in L.R. Bagg’s new “Battery Bagg.”
Every acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument’s sound projection. The Gibson J 45 Standard features a variation of Gibson’s “X” bracing pattern situated behind the soundhole, with a set of tall and thin braces for the back, and scalloped tall and thin braces for the top. This legendary bracing design delivers a balanced expression, with punchy, deep lows, warm mids, and clear, crisp highs. When pushed for more volume, the J-45 Standard projects a natural compression, which helps it blend nicely with any accompaniment.
|Model||J-45 Electro Acoustic Guitar|
|Top Material||Solid Spruce|
|Back & Side Material||Flamed/Quilted Maple|
|Pickups||L.R. Baggs Element|
|Number of Strings||6|
|Included Accessories||Premium Hardcase|
|Special Electronics||L.R. Baggs Element|
|Bracing||Hand Scalloped Bracing|
|Unique Features||Mother of Pearl Gibson peghead Logo Mother of Pearl dot inlays AAA-grade Sitka spruce AAA-grade Eastern curly maple|
Sounds as good as she looks.
Posted on 01/12/2012 by Fallowfield
My guitars are better players than me, and the Martins I have, come close to perfection. But I saw her, looking stunning, first on a row of fine-looking guitars, and I just wondered if a Gibson could be as good.
As soon as I had my hand on the neck something felt right, the guitar nestled into my body like - well - let's say an old friend. And then the sound - I'm used to hearing class guitars from the 'wrong' side and I immediately knew that this was good. My friends now tell me it's much better than that. I can't say she stays in tune - no guitar does - but keeping her in tune with a combination of the tone quality and the magical machine heads just seems easy. Playing her is simply a joy.
She's been to a couple of folk nights now and other players simply wanted to touch her because she's so beautiful. Guitarists - what can you do with them, eh?