Zoom R16 RecorderStock code: 66356
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- 16-track playback and 8-track simultaneous recording to SD Card
- High-definition 24-bit/48kHz linear PCM recording in WAV format
- Built-in stereo condenser microphones
- Includes 1GB SD Card
- Allows simultaneous recording on up to 8 tracks
- Battery operation for remote recording
- USB power for studio operation
The Zoom R16 Recorder is a multi-track digital recorder, with 8 channels of simultaneous input and up to 16 channels of simultaneous output. It records to SD card, and it can even run on battery power, making it one of the most portable music production studios available. It has a built-in stereo condenser mic so you can record anything anywhere. Enough scope to multi-track record an entire drum set, and enough tracks to make a full band studio recording (including overdubs) without even touching a computer.
It also functions as an audio-interface when used with computers, and as a control surface, making it equally useful as a studio production tool and a digital recorder for remote locations. Over a hundred built-in effects are provided to enable serious mixing potential, and pro mastering tools ensure you can make a polished mix every time. If you connect two Zoom R16s to a computer you can record 16 channels simultaneously too. It is a complete studio in a compact box. Record live gigs, rehearsals, studio tracks and more with this amazing piece of kit. Every band should have one.
Included with the Zoom R16 Recorder is a 1GB SD Card that will get you up and running from the very start.
|Dimension (H x W x D)||52.2 x 237.1 x 376 mm|
|Simultaneous Recording Tracks||8|
|Simultaneous Playback Tracks||16|
|Recording Data Format||44.1kHz, 16/24bit WAV|
|Maximum Recordable Time||200 minutes / GB (referred to mono tracks)|
|Markers||100 / Project|
|Locator||Min. / Sec. / msec or Meas. / Beat / Tick|
|Other Functions||Punch-In / Out (Manual, Automatic), Bounce, A-B Repeat, UNDO / REDO|
|Sampling Frequency||44.1, 48, 88.2, 96kHz|
|Level Meters||4-Segment LED|
|Track Parameters||3-Band Equalizer, Pan (Balance), Effect Send x 2, Invert|
|Stereo Links Track pairs||1/2 to 15/16 selectable|
|Algorithms||9 (CLEAN, DISTORTION, ACO / BASS SIM, BASS, MIC, DUAL MIC, STEREO, 8 x COMP EQ, MASTERING)|
|Modules||7 for Insert, 2 for Send / Return|
|Patches||330 for Insert, 60 for Send / Return|
|Tuner||Chromatic, Guitar, Bass, Open A/D/E/G, D modal|
|Beat||1/4 - 8/4, 6/8, Unaccented|
|Tempo||40.0 - 250.0 BPM|
|Recording Media||SD Card (16MB-2GB), SDHC Card (4-32GB)|
|A/D Conversion||96kHz 24bit delta-sigma ADC|
|D/A Conversion||96kHz 24bit delta-sigma DAC|
|Display||20-digit 2-line custom LCD (with backlight)|
|Inputs||8 x XLR-1/4''Phone Combo Jack Input Impedance: (Balanced input) 1kΩ balanced, 2nd hot, (Unbalanced input) 50kΩ unbalanced, (Hi-Z Input) 470kΩ Input Level: -50dBm to +4dBm continuously variable|
|Built-in microphones||Omnidirectional condenser microphones Gain: -50dBm to +4dBm continuously variable|
|Phantom Power Supply||48V (with On/Off switch)|
|Master Output||1/4"TRS Phone (balanced) / Output Impedance: 1kΩ / Rated Output Level: +4dBm|
|Headphones Output||1/4''Stereo Phone Jack, 20mW x 2 (at 32Ω load)|
|USB||[B type (USB2.0 High-Speed compatible)] Audio Interface / Control Surface or Mass Storage Class operation [A type (USB2.0 High-Speed compatible)] USB Host capability|
|Power Requirements||AC adaptor (DC5V/1A/center positive) or AA size (LR6) battery x6|
|Battery Life||4.5 hours (with backlight on and phantom power off)|
|Windows||Windows XP SP2 or later Windows Vista SP1 or later Windows 7 Intel Pentium 4 1.8GHz or better 1GB RAM or more|
|Intel Mac||OS X 10.4.11 or later / 10.5 / 10.6 Intel Core Duo processor 1.83GHz or better 1GB RAM or more|
|Either Operating System||USB 2.0 compatible port USB hub is not supported Intel Chipset is recommended|
Posted on 09/06/2012 by Wyshwood
Out of the box the R16 is easy to set up and within minutes can be recording your band at rehearsal with the internal mics. Coupled with the ability to use this kit with your DAW as an interface (I use FL Studio and it was a breeze) makes it very economical.
I use it for location recordings. So far I've been out, recorded the group, popped the SD into the laptop and roughed up a mix in just a couple of hours. This never ceases to impress the client and at the same time leaves me loads of scope to polish the piece off. Some other bits of kit take an age and need all sorts of cosseting to make the recording useful, not the R16.
It's light, making it very portable. 24 bit quality if you need it, though it boots up in 16 bit. Up to 32GB SD card for longer recordings or sessions.
Tons of techy bits to polish off the tracks, reverb, compression etc. Admittedly they won't master to the best standard, but do a decent job for first impressions. Once you get into it the limitations are few.
As with all digital equipment, make sure your levels are good. It's easy to over saturate if you peak too much, so draw back and leave some headroom; between -12 and -6 is a safe bet for clear peak free results. Sound to noise ratio, people. It takes no time at all to perfect this for flawless tracks.
I mark it down only because of the manual. So many things these days don't have well written instructions, and whilst this one will get you through, you'll soon discover questions without answers, so you'll have to resort to the big G or YT or maybe fork out for a DVD to dig into some of the finer tips and tricks. For this money I cannot recommend it highly enough.