Allen and Heath Qu-24 Chrome Edition Digital Mixing Desk

Product ID: 204439

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  • Premium quality 24-channel digital desk easy that's also easy to setup and use
  • Versatile signal routing delivers advanced control
  • Designed for standalone or rackmountable use with sleek angled surface
  • Host of microphone EQ library presets from leading manufacturers
  • Outstanding iLive FX on hand including reverbs, delays and modulators
  • Qu apps for greater wireless control wherever you are
  • DSNAKE remote audio racks compatible for low latency control
  • Integrated shelf for securing an iPad, sold separately
  • Designed to eliminate the need for internal fans to reduce noise
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Delivery to UK mainland addresses* is FREE on orders over £75 and up to 30kg. (As a guide, a standard electric guitar weighs approx. 3-5kg).

Delivery on orders below £75 are charged at £4.45!

Delivery to Northern Ireland, the Scottish Highlands & Islands, Isle of Man, Isle of Wight and Channel Islands is weight dependant and will be indicated at the checkout

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UK mainland* FREE on orders over £75 £4.45 on orders under £75 1-3 working days
Northern Ireland, Scottish Highlands & Islands Isle of Man Isle of Wight Channel Islands £12.95 – any order value up to 30kg Over 30kg - please call 1-3 working days
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The Allen & Heath Qu-24 Chrome Edition Digital Mixer is an exceptionally powerful digital mixing workstation in a compact and stylish package. Built using 18 gauge, cold-rolled Zintec steel, the Qu-24 is crafted with strength and resilience at its core.

Analogic Preamps

The Qu-24 is equipped with sixteen AnalogiQ digitally controlled preamps that translate harmonious with the built-in digital signal processing to offer flawless performance, with optimal gain accuracy and audio fidelity. The analogue signal is captured by high-class, low latency 24-bit analogue-to-digital (AD) converters that transmit in exquisite high quality. With minimal distortion, super low noise floor, and faithful audio transparency, what more could you ask for? Oh, each analogue fader corresponds to a mono input channel, so you don't have to dig through several layers to find what you want, everything is at your fingertips and good to go.

Fluid control

The Qu-24 contains 24 mono Mic/Line inputs (spanning TRS & XLR), as well as stereo line inputs that can be routed with ease via their corresponding faders just as with a standard analogue setup. However, thanks to the intuitive Graphic User Interface (GUI) via the built-in True Colour Touchscreen with dedicated rotary encoder, access to all setting and parameters is within easy reach. Partnered to the touchscreen is the SuperStrip, a set of single-function controllers that offer tactile adjustment over gain, high-pass filter, 4-band parametric EQ, gate, compressor, graphic EQ, and pan.

The beauty of digital mixing is having the ability to save and recall Scenes (snapshots) of channel/mix settings at the touch of a button. There are 17 motorised ALPS faders that cover input channels and masters, as well as a dedicated master fader for the Mix section. Custom control is also allowed with regard to ad-hoc strip layout and Input, FX Send/Return, DCA and Mix master assignment.

Keeping cool under pressure

The streamlined profile of the Qu-24 is designed to optimise airflow underneath the mixer to eliminate the need for fans and reduce the noise produced by the mixer itself. As you'd expect from the company behind the pioneering GLD and iLive digital mixing systems, the Qu-24 is a class-leader in audio performance and not only gets the job done, but does it in style with key features that include: multitrack recording direct to USB, Automatic Mic Mixing, ProFactory mic presets, plus a plethora of apps, accessories and remote I/O.

One-touch EQ

As well as providing a solid hardware base, the Qu-24 is compatible with a vast range of software that enhances the functionality and versatility of this already outstanding desk. Allen & Heath have partnered with leading microphone manufacturer's Shure, Sennheiser and Audio-Technica to provide EQ Library presets across a huge range of instruments. Whether you're getting creative at home or a working professional, you have an arsenal of mics available at the touch of a button.

Allen & Heath have consistently produced equipment that wows! The Qu-24 is certainly on point and be it for home studio enthusiast or a working pro, this is one desk that will deliver impeccable results.

ManufacturerAllen and Heath
ModelQu-24 Chrome Edition Digital Mixer
Dimensions (H x W x D) Desk mounted 186 x 440 x 500 mm
Rack mounted 190 x 483 x 472 mm
Packed in shipping box 350 x 610 x 680 mm
Weight Unpacked weight 14 kg (31 lbs)
Packed weight 18 kg (40 lbs)
Mic/Line Inputs Balanced, XLR and 1/4-inch TRS jack, fully recallable
Input Sensitivity (XLR / TRS) -60 to +5dBu / -50 to +15dBu
Analogue Gain -5 to +60dB, 1dB steps
Maximum Input Level (XLR / TRS) +19dBu / +29dBu
Input Impedance (XLR / TRS) >5kOhms / >10 kOhms
THD+N, Unity gain 0dB 0.0005% -89 dBu (20-20kHz, Direct Out @0dBu 1kHz)
THD+N, Mid gain +30dB 0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz)
Stereo Line Inputs
ST1, ST2 connector Balanced, 1/4-inch TRS jack, half-normalled
ST3 connector Unbalanced, stereo 3.5mm Mini Jack
Input Sensitivity(ST1, ST2 / ST3) Nominal +4dBu / 0dBu
Trim +/-24dB
Maximum Input Level (ST1,ST2 / ST3) +22dBu / +18dBu
Input Impedance >7kOhms
Mix1-10 and LR Out Balanced, XLR
Output Impedance <75Ohms
Nominal Output +4dBu = 0dB meter reading
Maximum Output Level +22dBu
Residual Output Noise -90 dBu (muted, 20-20kHz)
Stereo Alt Out & 2Trk Out Balanced, 1/4-inch TRS jack
Source (Alt Output / 2Trk Output) Patchable / LR post-fade
Output Impedance <75Ohms
Nominal Output +4dBu = 0dB meter reading
Maximum Output Level +22dBu
Residual Output Noise -90 dBu (muted, 20-20kHz)
AES Digital Output 2 channel, 48kHz sampling rate, XLR
2.5Vpp balanced terminated 110Ohms
Inputs Remote source for CH1-32, ST1, ST2, ST3
Outputs Patchable from Mix 1-10, LR, Grp1-8, MTX1-4
Compatible with AudioRacks AR2412, AR84, AB168
Compatible with ME personal mixing system
System Measured balanced XLR in to XLR out, 0dB gain, 0dBu input
Dynamic Range 112 dB
Frequency Response +0/-0.5dB 20Hz to 20kHz
Headroom +18dB
Internal operating Level 0dBu
dBFS Alignment +18dBu = 0dBFS (+22dBu at XLR output)
Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)
Meter Peak indication -3dBFS (+19dBu at XLR out), multi-point sensing
Meter Signal indication -48dBFS (-26dBu at XLR out) I
Meter Type Fast (peak) response
Sampling Rate 48kHz +/-100PPM
ADC, DAC 24-bit Delta-Sigma
Latency 1.2 ms (local XLR in to XLR out)
0.7 ms (local XLR in to AES out)
Operating Temperature Range 0 deg C to 35 deg C (32 deg F to 95 deg F)
Mains Power 100-240V AC, 50/60Hz
Maximum Power Consumption 82W
USB Audio
Qu-Drive USB A
Stereo Record 2 channel, WAV, 48kHz, 24-bit, patchable
Stereo Playback 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3
Multitrack Record 18 channel, WAV, 48kHz, 24-bit, patchable
Multitrack Playback 18 channel, WAV, 48kHz, 24-bit
USB Audio Streaming USB B, Core Audio compliant
Send (upstream) 32 channel, WAV, 48kHz, 24-bit
Return (downstream) 30 channel, WAV, 48kHz, 24-bit
Faders100mm motorised
Touch Screen 5" TFT, 800x480 resolution
SoftKeys 10
Mute Groups 4
DCA Groups 4
Network TCP/IP Ethernet for MIDI and iPad app
Input Processing
CH1-32 Local, dSNAKE, or USB
ST1, ST2 Local, dSNAKE, or USB
ST3 Local, dSNAKE, or USB Stereo
USB Global Source Qu-Drive or USB B Streaming
Stereo Linking Odd/even input pairs
Parameters linked EQ, dynamics, insert, delay, assignments, sends
Link options Preamp, polarity, Sidechain, fader/mute, pan
Polarity Normal/Reverse
High Pass Filter 12dB/octave 20Hz – 2kHz
Insert Assign FX1-4 into Input channels
Delay Up to 85ms
Gate Self-key Sidechain
Threshold / Depth -72dBu to +18dBu / 0 to 60dB
Attack / Hold / Release 50us to 300ms / 10ms to 5s / 10ms to 1s
PEQ 4-Band fully parametric, 20-20kHz, +/-15dB
Band 1 Selectable LF Shelving (Baxandall), Bell
Band 2, Band 3 Bell
Band 4 Selectable HF Shelving (Baxandall), Bell
Bell WidthNon-constant Q, variable, 1.5 to 1/9th octave
Compressor Self-key Sidechain
Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Attack / Release 300us – 300ms / 100ms - 2s
Knee Soft/Hard
Types Peak Manual, RMS Manual, SlowOpto, PunchBag
Mix Processing
Channel Direct Out to USB Follow Fader, follow Mute (global options)
Source select (global) Post-Preamp, Pre-EQ, Post-EQ, PostDelay
Insert Assign FX into Mix channels
Delay Up to 170ms
GEQ Constant 1/3 oct, 28 bands 31Hz-16kHz, +/-12dB Gain
PEQ 4-Band fully parametric, 20-20kHz, +/-15dB
Band 1 Selectable LF Shelving (Baxandall), Bell
Band 2, Band 3 Bell
Band 4 Selectable HF Shelving (Baxandall), Bell
Bell Width Non-constant Q, variable, 1.5 to 1/9th octave
Compressor Self-key Sidechain
Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Attack / Release 300us – 300ms / 100ms - 2s
Knee Soft/Hard
Types Peak Manual, RMS Manual, Slow Opto, PunchBag
Input Processing
Internal FX 4x RackFX engine, Send>Return or Inserted
Audio Tools
Types Reverbs, Delays, Gated Reverb, ADT
Chorus, Symphonic Chorus, Phaser, Flanger
4 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ
PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, 85ms Delay
Talkback Assignable to any mix, 12dB/oct HPF
Signal Generator Assignable to any mix, Sine / White/Pink/Band-pass Noise
RTA 31-Bands 1/3 octave 20-20kHz, follows PAFL source

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